May 26, 2017 § Leave a comment
When I first came across African artist Milumbe Haimbe a couple years ago, thanks to introduction by Cissie Swig, beloved San Francisco art benefactor, her graphic novel “The Revolutionist” was clearly a science fiction. The story is set in the near future on a satellite colony off the orbit of mainland Earth, dominated by a corporation. Social conformity is subliminally reinforced, the economy is purely corporate-driven, exploitation of human by human thrives and the insatiable appetite for sex robots threatens to tip the already delicate social balance. This gives rise to the resistance called Army for the Restoration of Womanhood. The protagonist Ananiya is a special agent in its Covert Operations Division when news spreads that the Corporation is developing a prototype robot that is sophisticated and sexually attractive enough to replace human women altogether. Before long the resistance galvanizes into a full-blown revolution, and Ananiya thrives to become the most unlikely hero on a mission to destruct the prototype before it enters the mass market.
If the story of robots replacing real women sounds far-fetched, I am here to report that Abyss Creations, manufacturer of RealDoll, life-size sex dolls designed to recreate the appearance, texture, and weight of the human form, has launched Harmony AI, bringing artificial intelligence to the dolls the company has been making for 20+ years. “Harmony smiles, blinks and frowns. She can hold a conversation, tell jokes and quote Shakespeare. She’ll remember your birthday, […], what you like to eat, and the names of your brothers and sisters. She can hold a conversation about music, movies and books. And of course, Harmony will have sex with you whenever you want”, as Jenny Kleeman reports for The Guardian after visiting the factory and interacting with the prototype. « Read the rest of this entry »
April 4, 2016 § 4 Comments
Unlike most of my posts, this issue (or this series, in multiple issues) does not feature specific artworks (which, by the way, many of you have told me to be beautiful–thank you!). Instead, I will share with you news, events and readings I came across in the first quarter of 2016, which collectively form a “big picture” context, helping to demonstrate that Essinova’s exploration into the arts is not just about beauty, although that itself is a worthy cause.
It is a big picture of the next industrial revolution and the future that mankind is entering, in which art and culture will be of fundamental importance not only to the human race as a whole but also to private industry. Philosophically speaking, art (with feelings) might become one of our last bastions of human privilege as machines can replace us in pretty much everything else. On a more practical level, culture and humanities, alongside science and technology, will become part of the very fabric of tomorrow’s businesses, rather than an afterthought marketing flair. This is necessitated by the new demands of solution design, consumer experience and talent development. « Read the rest of this entry »